About
If this word, music, is sacred and reserved for eighteenth- and nineteenth-century instruments, we can substitute a more meaningful term: organization of sound.
John Cage, from “The Future of Music: Credo”
Mort de Pop is all about organizing the sounds I enjoy. I stumble upon these sounds accidentally, much like we’re here probably because Pikaia survived the Cambrian decimations: There’s no reason or purpose, but it’s still enjoyable.